Mountains and islands

by - September 01, 2024

 

Mountains and islands 
Ottchil (Korean lacquer), Hemp cloth on wood 
122x162cm 
2023 


<Mountains and islands> is a work that repeatedly simplifying lines in nature grant expandability of expression by the saekdong colors. 
Saekdong is a traditional Korean pattern and design of multi-colored stripes. In Korean, saek means color and dong refers to one stripe or block, so saekdong literally means “stripes of colors.” <Mountains and islands> borrows this concept of saekdong to combine individual colored stripes to construct a whole. This reflects the concept from the Avatamsaka Sutra that “each part of a whole contains the whole, and the whole is present in every part,” containing a question to the cyclical wonders of nature.

Preserving the longing for the past that the colors bring on the screen, the combination of the color fields of obangsaek (red, blue, white, yellow, and black) and ogansaek (bright red, light blue, green, sulfur yellow, and violet) revives the vitality of traditional lacquer through the ‘repetition and overlapping’ of paintbrushes and lacquer spatulas.
Rimm works with paintbrushes and lacquer spatulas to arrange saekdong in a harmonious array, and at times, she intentionally blurs the boundaries between colors, repeatedly making the intended and the coincidental intersect. Depending on the viscosity of ottchil (Korean lacquer) and the speed at which she smudges lacquer paint, the blurring of the borders generates a vibrant sense of rhythm. The boundaries formed by adjoining colors and the disappearance of these boundaries present variations of different colors and textures. This pictorial effect implies a robust sense of temporality and alludes to the energy of nature and its ceaseless creation and extinction. 

In this way, although Rimm’s color field paintings appear simple with their refined expressions, her reiterative actions stimulate a tranquil sense of vitality. As such, nature’s cyclical narrative, in which the principles of giwunsaengdong (the spirit lives and moves) and jeongjungdong (movement in silence) are in harmony, breathes in them.

The repetition and layering of colors makes us confront philosophical notions on the natural circulation of life and death, while also guiding us to experience moments where artistic media and meditation converge. 
The <Mountains and islands> series that gives physical form to ottchil and layers lines and colors demonstrates the potential for landscapes to be expanded. This is the exact moment when mountains become islands and islands become mountains.

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